Friday, May 13, 2011

New work

"Then come close to Nature."
- Rilke



At the breast of Nature
driven to the Metaphysic milk
like an infant rooting

And the mantra of art
the unalloyed Idea
is: Reinterpret.
Learn to harrow
steal the plow
dig the axe out the woodshed
and put it to the oak-
let the iron, old and primal,
shake off its rust
in the gash, in the wedge
She bears now-
in the sap, the pus, the colostrum.

It's not so much a matter of thought,
experience is later.
At the breast of Nature
we intuit:
our toothless mouths
nip at her tits
and the imprint comes
through the throat.

But a gosling
can know a shoe as Mother:
they'll fly, fully grown, in formation,
behind a glider
hoisting a man
wearing just those magical shoes.

And to suck the sap
of the world tree
requires an open wound.
So we go to the past
and dig around
and find a file, a bit of steel,
and make for ourselves some fangs.
acquiring, before we're christened,
a name:
Nidhog,
the Poet Serpent,
teeth stuck tight in the breast.

3 comments:

  1. Good to see something new from you. I really like this piece, dramatic and somewhat pleasingly brutal.

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  2. Thank you sir :) I've been neglecting this page, mostly because I've been doing more prose work; essays and a novel. It's good to be back, though, and always satisfying and inspiring to hear your comments.

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  3. Now that the initial enthusiastic frenzy has worn off, though, I'm starting to dislike a couple features of it. A couple lines are weak, and the forth verse needs some elaboration that won't break its violent contrast with the main thrust of the piece. I'll have to edit it soon; it requires a clearer eye and a steadier hand than I have at the moment.

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